Antecedents to Andrea Mantegna’s Adoration of the Magi painting reflect the Italian origins from 1462. This image formulates a triptych that was invented in 1827 and is still visible at the Uffizi. Forbearers or antecedents to this painting are Medici, Gonzaga, and Ludovico, who acquired the image and commissioned it to Mantegna in 1460s. Another example of the painting is the Presentation at the Temple by Mantegna, and it is still of Italian Renaissance. The date of this painting is not revealed, but it belongs to a youth painter in Padua.
Presentation at the Temple incorporates a scene that was set within a marble frame. In this picture, Virgin Mary is holding a child while the bearded priest is standing near her. Mantegna connects the image Adoration of the Magi to the east when he relates it to arrival of the wise men that came from that direction. These wise men had come to adore the new king of the Jews (Andrea 37). The east matters to the painting because it gives tribute to bearers from various Mediterranean and ancients near Eastern cultures that existed numerous centuries ago. The term that we discussed that is evident in this work is a triptych. It refers to an image carving on three panels with the support of an altarpiece.
Europeans viewed people or groups from the East in antiquity to have a culture that had different works of arts. During this era, global art became part of history that deeply required reflection of its practices. During the middle ages, Europeans perceived people from the east as a group that involved different approaches in arts such as anthropology and art transfer to enhance diversity. According to Europeans, people from the east in the early modern period invited scholars to contribute to their work of art. As a result, this created transformational ideas, techniques, and discoveries that improved various forms of arts.
Important texts that were visualized in antiquity incorporate arts of memory works by Giordano Bruno. During this era, anthropologists noted the distinctions that surrounded various cultures, notions of art, space and preferred to use art fact. In the middle age, vital texts were considered as art and style that depicted the evolution of man, society, or human spirit in history. In early modern period, vital texts that were visualized as a total history incorporated artistic circulations. In this regard, artists made efforts to describe and localize their work based on their date, which were used in present museums (Burke 112).
Perspectives based on arts and texts change depending on either new discoveries or religions. For instance, technology has contributed to changes in texts or art from early to modern period. Currently, these changes are evident when artists create works that involve movement of people via laser beams. Through technology, artists are capable of creating new ways to pass across a message for a long duration. New religions have also played a significant role in changing the face of art across the globe. For instance, in the Islamic religion, there is change in textual content that is brought about by different schools of law and how they interpret religion in different places. In this regard, tradition is viewed as a flexible notion that is put into service to legitimize various ideas and practices that takes place in religion. This implies that when religion is faced with change due to art, majority of believers gain a different perspective of their denomination.
Artworks that demonstrate these changes are clear when the objects become tools that initialize a common ground. Through art, artists get the opportunity to articulate their aspirations, struggles, and experiences by inspiring people on ways to improve their lifestyle. Secondly, artworks enhance changes by offering equal access to involvement and information. As a result, this encourages active participation that motivates individuals to develop the society. Thirdly, focusing on artistic expression enables people to be part of a vital duty of maintaining cultural traditions. This creates respect and appreciation of changes that takes place in our religion and entire community. One term that we discussed that is shown in this idea is culture that express diversity of people.
Contrasting the use of ideas or objects that were imported from east to Europe, there was a difference when enhancing material of the object and based on how people understood artistic circulations. Attention to constant circulations indicated that designated cultures arose from ceaseless transformation of ideas and objects (McNeil 75). These ideas and objects potentially indicated that people understood history as an outcome that incorporated different cultural entities. Theoretically, articles that can explain how transfer of ideas of objects worked reveal vital concepts concerning how they related to art.
Focusing on use of carpets and pseudo script in 15th century, their use was different; carpets had close parallels while pseudo artifacts incorporated staggered rows with contrasted borders. Their use was similar when they were both designed as stars and Kufic. The difference of an object that involves use of carpets is that it is made of best raw materials that are durable. Conversely, an object that is made of pseudo scripts does not free objects explicitly.
Mantegna, Andrea. Adoration of the Magi. 1537-1- Mantegna Paintings.
Peter, Burke. Popular Culture in Early Modern Europe (New York: Harper & Row, 1978)
William H. McNeill, The Rise of the West: A History of Human Community (Chicago: University of Chicago Press, 1963), 806–07