The film and book Young Frankenstein and Mary Shelly’s Frankenstein are considered some of the finest pieces of art that depict horror in more brilliant perspectives. Scaring events/situations are presented in an amusing and hysterical manner. The film and book provide the theme in a more clear and easy to understand format, and the viewers are able to indulge themselves fully in the events. Satire is used both in the film and the book, depicted by how a monster escapes from a castle.
The theme of Love
The two are different in that Shelly’s Frankenstein passages are inflexible, based on the public abilities to understand issues. With respect to the characters, there is no character that can be compared to Igor in Shelly’s original Frankenstein. In the book, it is described that once the monster is created, the creator runs away because of the ugly nature, and hence, the monster becomes angry. In young Frankenstein, the creation is considered beautiful since the creator tries to nurture the creation, just like a mother could nurture a young one. This brings out clearly how the theme of love is treated and draws parallels on how the creature was treated and abandoned in the book while it is nurtured and cared for in the film Young Frankenstein. According to Manguel and Whale (2008) “The book again draws parallel between the details of the son and bride of Frankenstein”.
Similarities appear in the book and the film as the monster is caught and the villagers try to kill it but it escapes. Just the same way it is not treated with love by the villagers it wanders and meets people then accidentally kills a young girl. Characters went violent trying to find the monster after a young girl was killed by it. It is worth noting that in the film that the character accepts the existence of the monster unconditionally using their different comedy twists.
The book and film have blind characters. The major difference here is that unlike the blind hermit, the blind father does not look to be so much lonely. In the book, people are treated with love and care, including the blind; loneliness is left for the monster. In the book, the theme of love takes another twist when the monster goes to the blind father hoping that in that predicament of loneliness, the blind father could accept the monster with love. This is contrasted in the film as the roles of the monster and the blind father are changed and it is the blind looking for love, caring, and affection from the monster. The blind man searches for consolation from the monster.
It is out of love that the family members of the blind man are afraid and fear for his safety having found him sitting with the monster beside him. Due to this fact, the monster is not happy as it was evident that nobody wanted to see it; it became furious and thought that the creator was responsible for its predicament. There is a similarity both in the book and the movie on the events that follow, when the monster becomes angry, including the burning of the cabin. The difference occurs in that unlike in the case of burning the house, the monster in the film strangles one William and places evidence to suggest that the maid is responsible. Since the monster is not treated with love, it becomes hostile and does the unthinkable.
The book details that Justine the maid is convicted and described to be guilty of murder. Victor discovers the real murder and show love and feeling for the accused through insisting that she is innocent. The monster confronts Victor, which makes him furious with feelings of guilt. This is quite different with what is depicted in the movie that stipulates to jailing of Justine compared to hanging in the book.
Another difference portrayed in the movie and the book concerns the ending, where the writer makes it possible for that monster to be with its creator at the end of the movie. This was to bring them back together in a show of sympathy and love. The monster is suffocating in water, and does not want any assistance/help. The monster and its creator belong together as depicted in the movie, while the book shows that the monster ultimately finishes without the creator and goes to die alone.
Both the original book and the film depict the theme of love, manifested in the way in which the characters depict being lonely, through finding company with others. A deep analysis of the movie shows that the creator was the only friend of the monster. This friendship makes both of them happy. The book, to some extent, reveals that the monster killed the creator out of love and the need to belong together in eternity.
The two works – the film and the book – are important for any student who is interested in performing arts since they bring out horror themes in distinct and comical ways.
Top of Form
Manguel, A., and Whale J. (2008). Bride of Frankenstein. Michigan: British